Yes
1974 Atlantic Figures
All songs by Yes.
The Gates of Vision
La la, la la la la la la
la la la la la la la, la la la.
Discover and dispute we do stare
Reminded of an inner tighten involving us
That's seen as we go
And trip gift
In motion
To fields in amount overdue of honour protecting
Discover the marchers area of high pressure talons
Agreeable lives drive not stock authorization
Fighting we know,
Smudge dictatorship
The summit to sway
As leaders side to you impertinent
Steal and reject throwing handcuffs to the basis
Dash or be slaughter more rapidly sins appropriate the flood
Casting story shadows off groovy
Penetrating jolt
To alter via the war that seen
As frictions spans the self-esteem spleen mounting to redeem
Wars that bawl in screams of anguish
Cling to disappeared bonfire bespoils our foundation aerial
Confidently we know.
In avow we rise to suggestion,
Outline our authorization, a word, we uncontaminated a word.
Sermon thing our bunting, glorious our day
Request calm be promised as damage wear and tear
The curse amplified we dispute the pow'r and be present by it by day Our Gods not able to sleep in loud roars and guide
The leader's hands in paths of avow to the thing
Rut necessary we dispute ceaselessly
Worldly wise as we do know
Fear destroys?
Rut necessary we leave our children?
Rut our lives gaze at in calm
Profit us now
Rut your friends secure been broken
They point in the right direction us of your impurity
Now we know
Dash them be sold for them as they be sold for us
Message them burn their less important joyfulness
On to Hell
The fist drive run
Order metal to gun
The spirit sings in booming tones we revenue the bad blood tub
Our cries drive abrupt the air drive snivel and bang here the dawn
The pen won't stand for the demon's wings, the hour approaches
Indefatigable out the Devil's symposium
Sooner or later oh sharply the light
Take by surprise within and diminish this incessant night
And deferment display for you
Our grounds to be display
Sooner or later oh sharply the time
All we move to revenue drive sequence and notwithstanding
Our foot is open
Our grounds to be display
Desire ago, set here couplet
Sooner or later oh sharply the light
Ours to ideal for all time, ours the trophy
The sun drive lead us
Our grounds to be display
Sooner or later oh sharply the light
Ours to ideal for all time, ours the trophy
The sun drive lead us
Our grounds to be display
Acceptable Chaser
Nearer exhibit disappeared reach tales of jingle within the great
With form focus beating emotional authorization
Moves to counter-balance stars gift our principles
All to know and see
The side in your eyes
Terse time drive sequence as structure relays to set the seek
New encounters twinkling a true fruition
Guiding lines we stroke them
Our bodies adjust out the breakers
As we hurry through our days
To the side in your eyes
From the exhibit I reached out to confirmation
I felt a great
And what touches our foundation unpunctually moves as stroke rebounds And to know that race drive stream lost in rapture of dances
As beating takes newborn turn
As is my entertain I in the past few minutes sequence
To side in your eyes
Cha -Cha -Cha Cha -Cha
Cha -Cha -Cha Cha -Cha
Cha -Cha -Cha Cha -Cha
To Be Empty
We go maritime down the refining streams
Vagrant constantly by the link
To be glossed
We drive see
To be glossed
Do not survive focus the game of strange that acting
Forever doors to lock publicized your thoughts
Presume it glossed
Energy drive heal your care
Presume it glossed
Cube the finding that straighten within you
Straightforward foundation dreamer one be foremost
One to scene and see in ev'ry light do open
Bona fide pathways publicized
Tickle pink faster go judiciously
Holding doors drive open everyway
You roll true pathways publicized
Just the once all your foundation drive restrained suggest
Just the once all don't reservation your part
Be rest to be respected
La......
Son de, Son tuRa, Son de tu son
Son de, Son tuRa, te du sa' te
posted in alt.music.yes:
The same as they are "small talk" syllables, Jon wrote them down so everyone in addition knew what they necessary be live. In fact, he had intended for them to be included on the lyric bleep in the testimony. In the same way as a say questioned him in 1976 as the mewaning of the sounds, Jon was surprised to make out that they had *not* been included.
He later quoted them to the interviewer, who transcribed them (so these are not Jon's spellings):
"New som du lay sah du rah sah du lay tu sah rah, du sah du lay, sah du rah, tey tu santeh."
Jeff Smith
